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Artist Statement

 

Sally Minns is an interdisciplinary artist with a research and process led practice. Sally’s work seeks to awaken the instinctive, feral self. Through embodied installation, soft sculpture and performance, she connects to the sensations of her body and the world: inhabiting rather than observing and to sit within a state of continuous becoming. Combining these corporeal experiences with phenomenal reference, she captures these perpetual transformations on the painting surface. 

 

Sally begins each composition by pouring raw pigment onto linen, then works into it with charcoal and soft pastel, rubbing and blending with her fingertips, allowing patterns and forms to emerge organically. Even when complete, the surfaces seem to shift before the gaze, offering up moments of clarity – pendulous breasts, tumbling limbs, tunnels into the body and through the earth – that collapse in on themselves, moving in a dance between weight and weightlessness, chaos and calm.

 

Through a posthuman feminist lens, Sally examines this merging of human and non-human elements, exploring the interconnectedness of body and space. Occupying a place of uncertainty and not knowing, she challenges the linear, binary, hierarchical order of humanism and anthropocentrism, by thinking through the body to consider what we can become.

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b. 1969 Nottingham, UK

Lives and works in London 

 

Education

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2021–2022 The Heatherley School of Fine Art, Post-graduate Diploma in Figurative Painting

2019–2021 The Heatherley School of Fine Art, Diploma in Portraiture

2008-2009 St Mary’s University, London, PGCE

1987-1990 University of East Anglia, Law LLB (Hons)

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Selected Exhibitions

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2025 The Winter Show, Orleans House Gallery, Twickenham

2025 Queer Feminist Utopia, RuptureXIBIT, Kingston Upon Thames

2025 Cultural Reforesting, Richmond Arts & Ideas Festival, Richmond

2025 In Process, The Staircase, Painters Hall, London

2025 Into the Light, Pontone Gallery, London

2024 Open Studio, RuptureXIBIT, Kingston Upon Thames

2023 Lawless Imagination, RuptureXIBIT, Kingston Upon Thames

2023 Now My Eyes Can See, RuptureXIBIT, Kingston Upon Thames

2022 Precious Postcards, Hollywood Road Gallery, London

2022 What A Waste, Koppel Project, London

2022 The Bakery Gallery, Affordable Art Fair, Battersea, London

2022 Post-graduate Diploma in Painting Show, The Heatherley School of Fine Art, London

2022 Labyrinth, Art at 46, London

2022 The Bakery Gallery, Affordable Art Fair, Hampstead, London

2022 The Bakery Gallery, London

2021 Portraiture Diploma Graduate Show, The Heatherley School of Fine Art, London

2021 Figurative Art Now, Mall Galleries, London

2021 Art Meets Workwear, Delfina Foundation, London

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Residencies and Awards

 

2026 Artist in Residence, Behavioural Science and Creative Insights Research Group, Kingston University

2024 A Room of One’s Own Residency at RuptureXIBIT

2022 Honorary Freeman of The Worshipful Company of Painter-Stainers

2022 William John Macleod Imaginative Award, Molesey Art Society

2021 Painting Scholarship awarded by The Worshipful Company of Painter-Stainers

2021 Research Commendation awarded by Alastair Adams PPRP

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Community Commissions

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2022 Action for Children, Respite Home, Solo Mural Project

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​Press

 

2025 Featured Artist at Babe Station

2021 Class of 2021 A-N The Artists Information Company​​​​​​

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Becoming 

 

Heat. The heat of the sun that afternoon scorched my back as I surveyed the meadow. In the furthest corner, obscured by the low gracing birch and hawthorn brambles, was a shadow, a blackness against the verdant green. The size of a small child it was impossible to decipher in the bright sunlight what or who it was.

 

Curious but cautious yet compelled to investigate, I walked slowly barefoot across the delicate blanket of blush coloured clover, serenaded by the crickets. Surely their chorus meant there was nothing to fear.

 

As I drew closer the contour of the shape shifted, reforming to resemble what looked like a door. A tiny door too small for even Alice to squeeze through. As my eyes adjusted to the increasing shade, I noticed the door was ajar. No indication of where it might lead other than into the forest itself, I stepped closer. This portal beckoned me, a threshold to the unknown yet so familiar. There was an inevitability of me passing through this gateway. I had no power to resist. 

 

Crawling and clawing across the ground, it felt more like dragging, as I wrestled with the compulsion to explore while the anchors of fear pulled heavily on my feet. I wished to grow enormously small.  As the sharp stones, twigs and brambles marked and punctured my skin, I squeezed through the borrower’s door.

 

Cool. Everything in the forest is exactly as it seems. As I stand, the canopy envelopes me, a shiver of anticipation trembling through my body. The forest will swallow me up. Once inside I must stay until it lets me out again. My dark pupils widen, and I taste the bitter sting of earth on my tongue and the rich, damp musk of the moss lingering on the breeze.  

 

I reach down and search for the gritty, smooth surface of the charred willow, lining up the various thickness one by one. Like medical instruments they await the procedure, but this one will lose all order and control. As with the knife, these tools of contradiction can carve with tenderness and beauty but with a slight of hand obliterate and destroy.

 

I dig. These flimsy implements snapping and reducing to powder, as I scrape at the surface. As blind as the mole feeling her way with trust and instinct, I go deeper and deeper, finding a moment of clarity before aIl is erased.  The only purpose is to feel the in-between; the damp soil, the roots, the worms and beetles chasing across my fingers, as my sole connects to the earth. I dig; I search. There are no clues to guide me out. I’m lost but know exactly where I am. I am becoming.

Sally Minns 2025

Images © Sally Minns, 2025.

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